Selected headline images from the history of Scottish art range from the organic, enigmatic intricacy of Pictish stone-carving or Celtic metalwork to the unique Art Nouveau creations of Charles Rennie Mackintosh. There are the sublime illuminations of the Book of Kells; the extraordinary sculptural profusion of Rosslyn Chapel; Raeburn’s peerless portraiture; McCulloch and McTaggart’s evocative Highland landscapes; the pioneering photography of Hill and Adamson; the intense, earthy humanity of the Glasgow Boys; the bold tonal adventures of the Colourists; Anne Redpath’s dynamic brushwork; Paolozzi’s 3-D collages; George Wyllie’s paper boat; even Jack Vettriano’s much-derided, but hugely popular nostalgic glamour.

Even barely dipping a toe much beyond the mid-20th century, this imaginary gallery of well-known Scottish iconography is striking in the scope and variety on display. Despite (or sometimes because of) having to contend with the usual historiographical obstacles and continuing national anxieties that beset Scotland’s culture, its visual art traditions display a distinctive vigour in execution, in underlying philosophy and diversity of approach that carry through to this day.

The contemporary scene presents an even stronger picture, with Scottish artists enjoying a higher collective profile at home and abroad than they have for decades, featuring prominently in the recent winners’ roll of major UK awards and prizes, and experiencing increasing demand for their work among international exhibitors.

Use the navigation bar on the left to read more about historical context, development and contemporary practice in the visual arts in Scotland, or alternatively make direct contact with organisations and individuals working in this sector through our extensive database of KEY CONTACTS.