Visiting Arts
Afghanistan Cultural Profiles ProjectCultural Profile
 
                                                                               
 
 
OVERVIEW:
The Afghan instrumentarium
Tambour maker, Herat (Linda Mazur)Like that of neighbouring countries, the instrumentarium of traditional Afghan music is rich in stringed instruments. Found in all urban areas, the plucked lute plays a crucial role in both solo and ensemble music. The short-necked six-stringed lute known as the rebab is widely regarded as a national instrument; this so-called ‘lion of instruments’ can be played either solo or as part of an ensemble. Other types of lute include the long-necked tambour and dutar, a hammered dulcimer of Persian origin known as the santur and a bowed fiddle from Baluchistan known as the sarinda.
Wind instruments used widely in Afghan music include a variation on the hand-pumped Indian harmonium known as the harmonium and a double-reed oboe known as the zurna which is played with a technique of continuous breathing that requires the musician to blow steadily into the instrument while inhaling through the nose, preventing any break in the delivery of sound. Numerous end-blown and side-blown flutes may also be found throughout the country.
Percussion is provided by various types of drum, ranging from the single-headed daireh (a frame drum like a tambourine with bells and rings fixed inside the rim, played mainly by women) to the single-headed zirbaghali, the double-headed dul and a local version of the North Indian tabla. Ideophones include a jaw’s harp known as the chang, finger cymbals and dancers’ ankle-bells known as zang, stone castanets known as qairaq and rattles known as duzanga.
 
 
 
The Afghanistan Cultural Profile was created with financial support from the British Council Afghanistan
Date updated: 13 August 2004
 
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